Lard - The Last Temptation of Reid (1990) Studio recordings @320
After departing from legendary punk band, Dead Kennedys, Jello Biafra collaborated with several artists in the years to come, one of which being Ministry guitarist, Al Jourgensen. What exactly happens when two innovators of two completely different genres join forces? The Last Tempation of Reid happens; a politically fueled, fast paced, and creative album and one of the best, and most overlooked albums of the 90's.
A funky bass riff opens "Forkboy" and hooks you in quickly with a fast and furious heavy metal opening track. Industrial metal and hardcore punk blend seamlessly in this fantastic start and what is probably the best song on the album. Jello's vocals do nothing but increase the creative and extremely unique sound that this track brings.
"Pineapple Face" is a mindf*ck of a song that goes from a formula similar to "Forkboy" albeit slower, to a psychedelic, non-sensical, and contact-high inducing chorus...and it's pure genius. This is more of what you'd expect from Jello with it's crazy and politically driven lyrics that make little sense but you just know has a very deep meaning somewhere in there. In conclusion, listen to this song high, and you won't want it to end.
"Mate Spawn and Die" is extremely reminiscent of Dead Kennedys songs such a "Holiday in Cambodia" with it's simple descending riffs that screams hardcore. The lyrics are mostly rhythmic spoken word. It's one of the less memorable of the songs on this album since it just doesn't quite have the energy that the rest of the album has, though it certainly has its charm with its catchy, nostalgic riffs and lyrics.
"Drug Raid at 4am" and "Can God Fill Teeth?" are less like songs, and more like audio plays. In the former, Jello stars as a police officer sent to a house that is said to be housing a load of drugs. The song is basically him acting like an overly aggressive and insensitive copper screaming at a "suspect" pleading for mercy with fast, energetic instrumentals playing throughout. It seems to be pointing out police brutality and the pointless war on drugs. It ends rather humorously, for after the pure chaos that this song has you endure, the character simply says "Oh. Sorry. Wrong house."
The latter is a full blown spoken word audio with a soundtrack accompaniment. It starts with a faux commercial and a man accusing it of being a Big-Brother like conspiracy theory while slow, ominous guitar plays. It gets oddly disturbing as the guitar and drums speed up and chaos erupts as the sounds of painful, slapstick-esque screams and drilling is heard. He drills out his teeth to find wires leading up into his brain that was recording everything he's been saying. The track is oddly mesmerizing and addictive and is perhaps one of the most creative songs I've heard since...well "Forkboy."
A smooth bass riff opens "Bozo Skeleton", another neutral paced with well-flowing and catchy vocals and rather heavy instrumental work, especially from the drummer. It continues to remind us that this is certainly a legendary combination of hardcore and indutrial kings, for this song shows a very evenly divided ammount of elements from both, which is rather impressively done.
Perhaps the most metal song on the album, "Sylvestre Matuschka" doesn't take it's time getting awesome. With sinister vocals and great chord progression, this song stands out in the album. It's fun and great headbanging material.
What follows is a cover of "They're Coming to Take Me Away, Ha-Haaa" by Napoleon XIV. If there is a God, he made Jello Biafra so he could cover this song. The snare drum accompanies his joyfully twisted and insane vocals as occasional screams are heard. Jello steals the show in this. He sounds like a true classic Mad-Hatter kind of insanity and is truly a joy to listen to.
"I Am Your Clock" is an interesting song. It is a speech by Jello as disorganized guitar plays. Now, this song is over 15 minutes long. As I said in my Passover review, I can't really stomach songs this long. It's a personal thing, but it frustrates me a bit that it takes five minutes for the song to change its sound at all and then goes right back to the same formula as the previous five minutes. Rinse and repeat. This is tolerable for shorter songs, but having to sit through the same riff for 15 minutes just isn't my thing.
This album is a must listen if you like Dead Kennedys, Ministry, industrial music, punk rock, heavy metal, or are just looking for something different. There are combinations and collaborations that don't work, and then there's Lard, who continued to make creative new music up until their indefinite hiatus in 2000. I recommend everything they've done, but this more than the others.
~by Jacob Russell
Track List:
1. Forkboy
2. Pineapple Face
3. Mate Spawn & Die
4. Drug Raid at 4 A.M.
5. Can God Fill Teeth?
6. Bozo Skeleton
7. Sylvestre Matuschka
8. They're Coming to Take Me Away
9. I Am Your Clock
02. Steppin' Out 03. Invisible Man 04. Wasted Time 05. Goin' Downtown 06. King Pleasure Time 07. On The Radio 08. Be My Number Two 09. Uptown Train 10. Scary Monsters 11. It's Different For Girls 12. Good Bad Boy [3:00] 13. You Can't Get What You Want 14. One More Time 15. Don't Get Around Much Anymore 16. If She Really Going Out With Him 17. A Slow Song
This is the last Tail Gators album to feature the original lineup with
Keith Ferguson on bass. The title track was written about Keith coming
off the road and that's exactly what he did after this album was
finished. With the exception of a release or two by local Austin bands
he played with between leaving The Tail Gators and his early demise
"Hide Your Eyes" is his last record.
The album lacks the concise
punch of peak Tail Gators such as "Mumbo Jumbo" and "OK Let's Go".
Despite the cracks beginning to show it's still a good time Rock 'n'
Roll album as only Don Leady & company can do. The opening track
rocks the hardest and should have been a radio single. "Rockin' in the
1990's" sounds dated to say the least but even the Stones "Exile on Main
Street" had one or two songs that didn't add much.
Even at a
difficult point in their career (the road taking its toll, the departure
of Ferguson) The Tail Gators manage to crank out a decent album of
no-frills, good time Rock 'n' Roll and "Hide Your Eyes" makes a mighty
fine addition to the collection of any Rock 'n' Roll fan.
~J.J. Vickers
Don't confuse this band with the Tail Gaters or the Tailgaters... Texas ...very own.....Tail Gators.....Don Leady....Keith Ferguson and Gary "Mudcat" Smith....Swamp-rock....
Track List: 1. Hallelujah, I'm Coming Home 2. Come On Baby 3. Hoodoo 4. Rockin' In the 1990's 5. Nuevo Loredo 6. Let's Have Some Fun 7. Long Tall Young Boy 8. Wear Your Black Dress 9. 20-75 10. Pick Up The Deck 11. Shake Dance 12. Let's Go Boppin' Tonight 13. Somethin's Got A Hold On Me
Disk 1 1 Sparks — Tryouts For The Human Race (1979) 6:08∂ 2 The Animated — Edith C. Sharp (1981) 1:53 3 Rain Parade — Night Shade (1985) 2:50 4 Kommunity FK — Anti-Pop (1983) 2:48 5 Hesitations — Window Love (1982) 2:20 6 Colour Scream — The Monster And I (1988) 3:58 7 Steve Stain — Piece Got Teeth (1986) 2:47 8 Christian Death — Jesus Where's The Sugar (1988) 3:11 9 The Whitefronts — The Ancient Farmer (1986) 6:08 10 X-1 Whiteman — During Moss (1989) 7:53 11 The Dickies — Stukas Over Disneyland (1983) 3:12 12 Tom Recchion — Lepidoptera (1996) 2:11 13 Sis Q Lint — Jap Monster Movie (1984) 1:47 14 Extremes — Bloody Yellow (1979) 3:19 15 The Furys — What's Done is Done (1986) 2:52 16 Concrete Blonde — Happy Birthday (1989) 2:22 17 John Trubee — Angelic Overview (1984) 2:47 18 The Jigsaw Seen — Jesus of Hollywood (1990) 3:17 19 Ace=1, AOS C/S — Examining Upstart Art (1977) 1:11 20 Sparks — When I'm With You (1980) 5:45 21 Blue Trapeze — Mask & Marquee (1986) 2:56 22 Strong Silent Types — Fred Cadaver (1982) 1:53 23 100 Flowers — Horizontal (1983) 1:06 24 Indian Bingo — Flow (1990) 3:43
Disk 2 25 The Crawdaddys — Bald Headed Woman (1994) 1:52 26 Rick Potts — Don't Think (1999) 2:39 27 Le Forte Four — Japanese Super Heroes (1999) 3:58 28 Colour Scream — Jasmines Faith (1988) 2:50 29 Kommunity FK — Haunt (1985) 3:29 30 Clay Idols — This House's River (1990) 3:10 31 Heroic Struggles — I'm Life (1988) 5:13 32 Christian Death — Will-O-The-Wisp (1986) 3:15 33 The Animated — Plastic Heaven (1981) 2:02 34 Zoogz Rift — With My Bare Hands (1988) 11:30 35 Battery Farley — April In April (1985) 3:29 36 Necropolis of Love — Talk (1982) 4:27 37 The Whitefronts — Kaluka Mocha (1986) 1:37 38 American Gorilla — Forsaking All Others (1982) 2:40 39 Urinals — She's a Drone (1985) 0:39 40 Concrete Blonde — Tomorrow, Wendy (1990) 5:09 41 30 Windswept Dimes — Nestor's Carbuncles (1981) 4:43 42 Tom Recchion — Jazz 2,000 A.D. Part 3 (1996) 4:05 43 Nip Drivers — Elephant Man (1985) 1:09 44 Indian Bingo — Pathetic Thing (1990) 3:24 45 The Dark Bob — King of the Darkness Ring (1987) 3:30 46 Geza X And The Mommymen — Hungarian (1981) 2:35 47 Stahlbau — Als Fuhrer Geeignet (1983) 1:25 48 Go-Go's — Our Lips Are Sealed (1981) 2:47
All credit and thanks go to: http://lapostpunk.blogspot.com
With their lurching sea shanties, debauched murder ballads, messed-up
tangos and whiskey-soaked gypsy stomps, some reckon they're from the
same stable of stallions as Tom Waits and Nick Cave; others point out
the last gang in town swagger of The Clash and the hellbound blues that
John Lee Hooker first dragged out of the swamp. Featuring between 7 to
12 musicians playing - guitars, drums, fiddle, trumpet, banjo,
washboard, upright bass, gong, mandolin, accordion, harmonicas,
saxophone and even empty bottles & tie racks to build their unique
Bourbon Soaked Gypsy Blues Bop N Stroll.
Track List: 1 -Go East 2 -Cheers For The Tears 3 -S.O.S (Swim Or Sink) 4 -Rather You Shot Me Down 5 -High Jeopardy Thing 6 -Run For Your Money 7 -Lightning From A Blues Sky 8 -Off To Rehab 9 -Alone In The City 10 -Good For You 11 -Heroin (Put My Brothers In The Ground) 12 -Goodbye To Another Year
The Double Life The Killing Jar Tearing Apart Fall From Grace Face to Face Red Light Kiss Them for Me Christine Dear Prudence Not Forgotten The Rapture Night Shift B Side Ourselves Falling Down Cities in Dust O Baby Spellbound Trust in Me Peek-A-Boo Israel El Día de Los Muertos
Undertow was a straight edge hardcore punk band from Seattle,
Washington, active during the early and mid-1990s. They released
material on Indecision Records, Bloodlink Records, Excursion Records and
Overkill Records. Indecision Records released a comprehensive
discography entitled Everything, which has 28 tracks spanning Undertow's
entire active period with John Pettibone on vocals.~Wiki
This
cd contains all of the material that Undertow recorded with Joel DeGraff on
vocals, as well as 3 tracks with John Pettibone on vocals, and then a very
peculiar final track. Here's how it breaks down in the liner notes:
Track List:
Tracks 1 & 2 - Undertow/Resolution split 7" Tracks 3-6 - Demo '91 Track 7 - Words To Live By comp 7" Track 8 - previously unreleased (from the same recording session as track 7) Tracks 9 & 10 - no info
Young, Loud and Angry!
Wanting to contribute something, my wanting to stay anonymous friend sent me this.
I'm not a big metal fan but there are some bands and music that I do like. This is one of those recordings that I like and is worth having just for their cover of the Beatles "I Want You".
Track List: 1. Devine Step (Conspectu Mortis) 2. Son of Lilith 3. Semtex Revolution 4. Sirens 5. Metamorphosis 6. Pale Sister 7. About Life 8. I Want You (She's So Heavy)
Following several years in Throwing Muses, as well as a brief detour in
the Breeders in 1990, Tanya Donelly formed her own band, Belly, in 1992.
With Belly, Donelly expanded her dreamy pop hooks into more concise,
catchy songs, as well as harder-edged rock. The band's 1993 debut, Star,
became one of the first beneficiaries of the commercialization of
alternative rock; it rode to gold status within its first year of
release, as "Feed the Tree" made headway on mainstream pop radio.
Despite their strong start, Belly never became genuine stars, and once
their 1995 follow-up, King, bombed, Donelly disbanded the group in 1996.
Set List: 01 – Dusted 02 – Angel 03 – Untitled And Unsung 04 – King 05 – Now They’ll Sleep 06 – Full Moon, Empty Heart 07 – Super-Connected 08 – Feed The Tree
The Blue Flames - Drivin' and Dyin' In Texas (2009)
The Meteors - Corpse Grinder (1995)
Studio recordings @128
YEP....only 128...buy 'em if you like 'em.
The Blue Flames – Drivin' N' Dyin' In Texas
Track List: 1 Bad Lil' Girl 2 Satan Baby 3 Bad Indian 4 Dangerous 5 Fire Of Luv 6 Johnny Voodoo 7 Predictable 8 Sinsational 9 I Need Your Luvin 10 Don't You Love Another 11 White Rabbit
*****
The Meteors - Corpse Grinder
Track List: 1. I'm Just A Dog 2. Electro 3. Hoover Back 4. Bad Moon Rising 5. Rhythm Of The Bell 6. The Edge 7. Here's Johnny 8. Go Buddy Go 9. You Crack Me Up 10. WildKat Ways 11. Don't Touch The Bang Bang Fruit 12. Dateless Nites 13. Corpse Grinder 14. Rawhide 15. Surfin' On The Planet Zorch 16. Please Don't Touch 17. Disneyland 18. My Kinda' Rockin