Sperm Donor - Accidental Incest

Here's some cringe worthy psychic scaring jams!

Recorded and mixed by Matt Labozza on 11/25/2012 at Studio G in Brooklyn, New York. Mastered by Bob Weston at Chicago Mastering Service in Chicago, Illinois. 

Stan Ridgeway & Wall Of Voodoo

Stan Ridgeway & Wall Of Voodoo 

 58 Songs and or concerts.

See Voodoo Wagon for a new live concert from 1983

http://www.stanridgway.com/ 

https://en.wikipedia.org/wiki/Stan_Ridgway

You would think with 500 visitors in 1 day we could get at
least 1 comment.   =/

The History of the BIRD...

When the Romans imported the art, music, and culture of the Greeks, the finger came along, too. Roman Emperor Caligula, a pioneer in perversity, frequently shocked his citizens by forcing them to kiss his middle finger instead of his hand. One of his subjects, Cassius, who Caligula often taunted as being too effeminate, finally had enough humiliation and assassinated him. Clearly, the bird was not to be taken lightly.

ALL - Everything Sucks

ALL - Everything Sucks [full demos]

Milo went to college, and ALL was born. Rather than quietly lay down their tools and fade into legend, Bill Stevenson, Stephen Egerton and Karl Alvarez formed an offshoot band from the Descendents called ALL.

http://all.tumblr.com/bio 

 Track List:

1. Everything Sux 0:01
2. I'm the One 1:41
3. Destroy Everyone 3:52
4. Good As My Word 6:20
5. Sick - O - Me 8:36
6. Caught 10:33
7. When I Get Old 11:52
8. Until Then 14:21
9. She Loves Me 16:38
10. Hateful Notebook 19:25
11. If You Only Knew 21:54
12. Wrong Bed 25:05
13. Vida Blue 27:50
14. Away She Went 30:20
15. Never Again 32:27
16. Someone New 35:41
17. Silence 38:25
18. I Won't Let Me 41:00
19. Thank You 44:12

True Detective, Dwight Yokam, Lucinds Williams, Waylon Jennings

We get NO comments on ANYTHING we post, so you get videos...  =(

Wire - Live New and Old

You have to hand it to them: for a band born of the brashness and youthful vigour of 77 punk, Wire had no real right to release an album as fresh and sparkling as last year’s Red Barked Tree. With the plaudits still ringing like tinnitus in their ears, the legendary experimental / post-punk/indie / art rock / whateveryouwannacallthem act launched into a cranny-poking tour that begat this typically forward-focused set for Radio France.

Rather than aiming to appease fly-by-night fans, The Black Session instead eschews the current trend for revisiting past glories and takes stock of more recent successes: apt, perhaps, for a band who did the whole Plays (Insert Classic Album) In Its Entirety shtick a couple of years before All Tomorrow’s Parties began its Don’t Look Back series and carried out the exercise as an act of land-salting rather than one of thumb-twiddling nostalgia.

Proceedings start with the deceptive – and somewhat listless – lull of Adapt before giving way to the surge and crash of Comet, an invigorating blast of frantic energy that leaves you wondering whether they were just toying with us during the lacklustre opener. It’s not until we’re five tracks deep that a true oldie appears – 1988’s Kidney Bingos – and they’re only intermittently peppered throughout from then on in, with sporadic nods to 154, a scuttling rendition of The Drill and a borderline-iconoclastic take on Pink Flag that sprawls beyond the 10-minute mark as it rounds the album out.

As well as a fitting tour totem for those who were there, The Black Session also serves as a neat manifesto update for those who should’ve been paying closer attention. That said, it isn’t perfect: the live setting inevitably meaning the loss of much lapidary polish and perfectionism while certain bubbling undercurrents are eclipsed by brash thrashes and thumps. Thankfully, though, the songs that underpin any given aural experiment are more than enough to make up for the lack of gloss, the band dishing out immaculately-placed jibes that slice to the bone and highlight a sharp, intellectual take on rock music that continues to prove you don’t have to dumb things down while letting your pop sensibilities win out.
~Alex Deller 2012 - BBC Music 

Interview with Wire




Black Session Available here

On The Box

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Siouxsie and the Banshees - B Sides

*** Siouxsie and the Banshees - Downside Up {B-Sides}***

{Out of Print}

Having finally split two years ago after a difficult comeback tour, The Banshees left a formidable body of work.  Through their B-sides, Downside Up charts an alternative history of one of Britain's most cherished groups.  From the start they proved to be a far more dynamic proposition than their post-punk and goth peers and, especially during their early-'80s heyday, always relished the chance to try something new for a B-side.

Their first 'Voices', the haunting flip to 1978's debut single, 'Hong Kong Garden', sets an impressive standard, swiftly followed by a thrash through '20th Century Boy'.  The golden period, when drummer Budgie and ex-Magazine guitarist John McGeoch joined founders Siouxsie and ever-supple bassist Steve Severin, produced the tribal 'Congo Conga' and the spectral 'Cannibal Roses'.  Moonlighting from The Cure, and a good friend of Severin's, Robert Smith's brief stint as a Banshee resulted in enjoyably psychedelic studio doodles like 'There's A Planet In My Kitchen'.

Elsewhere, there are covers of 'All Tomorrow's Parties' and Ben E. King's 'Supernatural Thing', cut-up pop like 'Catwalk', and, for the first time on CD, 1984's 'The Thorn EP', for which the Banshees re-recorded B-sides 'Voices' and 'Red Over White' with a string quartet.  An exhaustive and fascinating collection from an astonishing group. 
~Piers Martin

Siouxsie Sioux first came to our attention in 1976 as a Sex Pistols acolyte who was standing behind the band during the notorious interview with Bill Grundy on the Today programme.  Yet with hindsight, her work doesn't seem to belong to punk at all.  Her debut album didn't appear until 1978, by which time untutored three chord thrashing was beginning to appear passé.  Instead, with the Banshees she helped invent a form of post-punk discord full of daring rhythmic and sonic experimentation that was as influential as it is underrated.

Downside Up features 55 tracks spread across four discs, some of which have not previously appeared on CD.  The result is a collection that constitutes an alternative history far more revealing than a greatest hits package, for here is a group that never filled b-sides with inferior throwaway tracks.  Rather they saw them as an outlet for some their most radical and challenging work.

Standouts include the spiky Drop Dead/Celebration, the sinister Eve White/Eve Black and the chopped up industrial funk of Tattoo, tracks that prove that the Banshees stand proudly alongside PIL, Gang Of Four and The Fall as the most audacious and uncompromising musical adventurers of the post-punk era.
~Nigel Williamson

 

Miles Davis - Pangaea

Miles Davis - Pangaea

Pangaea is a double album recorded by jazz trumpeter Miles Davis. It was released in 1976 in Japan. Both Pangaea and its predecessor Agharta (1975) were recorded on February 1, in Osaka, Japan at the Festival Hall. The Agharta concert took place during an afternoon matinee, whereas Pangaea was recorded in the evening.

The album release contains two tracks, "Zimbabwe" and "Gondwana," which have been identified as containing the musical segments called "Moja," "Willie Nelson on Tune in 5," "Nne," "Zimbabwe," "Ife," and Wili (=for Dave)" by the Italian Miles Davis scholar Enrico Merlin.

Later that year, Davis, depressed, exhausted and suffering ever mounting health problems, retreated from the music scene. This makes Agharta and Pangaea his final albums of new material until the 1981 comeback LP The Man with the Horn. Unlike Agharta, Pangaea was originally released exclusively in Japan. Pangaea would see an American release in 1990, digitally remastered as part of the Columbia Jazz Contemporary Masters CD series of the time.
~Wiki

Disk 1 - Zimbabwe


Disk 2 - Gondwana



Pangaea is an Earth splitting live jazz release, and Miles' best live release ever!
Review by Jake Cole at Armchair

Pete Cosey's guitar playing is "Subterranean!"

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The Miles Davis Story