Black Rebel Motorcycle Club - Live Pinkpop Festival
Landgraaf, Netherlands
May 20, 2002
Soundboard @192
Set List: 1. Spread Your Love 2. US Government 3. Love Burns 4. Rifles 5. Screaming Gun 6. White Palms 7. Awake 8. Fail-Safe 9. Whatever Happened To My Rock'N'Roll
SIDE A 01. Red Tape 02. Wild In The Streets 03. The Crowd 04. High Price On Our Heads 05. Karma Stew 06. Deny Everything 07. Letter Bomb 08. In Your Eyes 09. Back Against The Wall 10. Wonderful 11. Firebaugh 12. Under The Gun
SIDE B 13. Don't Care 14. Live Fast, Die Young 15. American Heavy Metal Weekend 16. Wasted 17. I Just Want Some Skank 18. Coup D'Etat 19. Making The Bombs 20. Junk Mail 21. Killing For Jesus
Keith Morris - vocals
Greg Hetson - guitar
Keith Clark - drums
Zander Schloss - bass
Killdozer - God Hears Pleas of the Innocent - 1995
Studio Recordings @ HQ vbr
{Out of Print}
Track List:
1. A Mother Has A Hard Road 2. Porky's Dad 3. pour Man 4. The Buzzard 5. Paul Doesn't Understand Jazz 6. Daddy's Boy 7. The Nobbies (A Sea Chanty) 8. Big Song Of Hell 9. Cannonball Run II '95 10. I Have Seen Grown Men Cry 11. Spork
The album deals with topics ranging from how farmers are sick of urbanites moving to the country because there's no room for growing food ("Porky's Dad") to songs like "The Nobbies (A Sea Chanty)" where lead singer Michael Gerald gives his son the fatherly advice "always look a man in the eye and treat the dogs and ladies nice" before he departs on a sea cruise. It's a bizarre and noisy CD with touches of punk, classic rock, and country that leaves the listener with an experience similar to that of having an oozing sore -- painful in some spots, yet infectious in others. The painful part comes by way of numbers such as "Big Song of Hell," in which the sound is so grinding that at one point, you can actually feel the music scraping along your cerebrum. When the infection of a track like "The Buzzard" takes over your senses, though, you realize that there's more to this band than just the production values of Steve Albini. The song deals with life on the road as a trucker, and the trio conveys the feeling of the open road through citizens band radio vocal effects to tempo changes that make you feel as if an 18-wheeler has just been shifted into gear. At times, it's hard to believe that Oscar the Grouch isn't behind the microphone for as gruff as Gerald sounds. By the time the record is over, you're left a bit annoyed, but slightly energized as well. This feeling is not surprising coming from a band with a name like Killdozer, who display frolicking sheep on their album cover.
~AMG
This band defies you to sit on the fence. You can't! Either you hate this band and their sludgy noisy music and their growling offtune frontman (97% of earth's population) or you think they are one of the most demonically expressive bands of the past quarter century (the remaining 3% OOHH! the 3% Nation of Noiselam!). Strange lyrics, hateful stuff. Good for the whole family? NO. But it's the family that I've always stood against... Yes it's the family that deserves to be tossed into the garbage bin of civilization.
~C. Roark
The death of frontman Johnny Kidd derailed the Pirates back in 1966, but the band's contributions to British rock were not forgotten, and their influence on punk-era pub rock bands like Dr. Feelgood encouraged the remaining players to re-form for this blistering comeback album. Out of Their Skulls pairs a raucous live set with six studio cuts, and if the new tunes don't match up to tough classics like "Please Don't Touch" and "Shakin' All Over," the band's uncompromising strength overrides any weaknesses. Over a decade past their hitmaking prime, the Pirates embrace the aggression and energy of the era and deliver a blazing, no-nonsense set of signature songs and early rock classics with all the lusty abandon, joy, and defiance that defines great rock & roll. Bassist Johnny Spence debuts as lead vocalist, and his big, leathery bellow is occasionally cartoonish but appropriate nonetheless. Mick Green shows off the idiosyncratic lead/rhythm guitar style that made him so influential, pulling buzzing solos out of each chord without losing the riff. Tub man Frank Farley is locked in solid with Spence to produce a rhythm section that is simultaneously metronome tight and bar-fight loose. The studio recordings lack the live set's searing heat, but the sound is cleaner, allowing for a more nuanced appreciation of Green's ringing guitar work; as a result, some of the sillier numbers (like "Do the Dog" and "Gibson Martin Fender") are still useful. American rockers unfamiliar with this very British trio should do a little digging and get their hands on Out of Their Skulls, a truly vibrant album that proves that youth alone is not what fuels the rock & roll engine. ~AMG
Nearly two-and-a-half hours of madman rockin' music from the late Johnny
Kidd's backing band, dating from their successful resurrection in 1976
at the behest to faithful disciple Wilko Johnson. Including all three
reunion albums as well as several rare singles and previously unissued
material, this is ear-opening stuff for the most part. A generation
older than their punk contemporaries, legendary Mick Green and his men
make most of that breed sound like pretenders. Listen to All In It
Together and you hear a great single. Listen to Please Don't Touch or
Something Very Strange and you hear where Dr Feelgood got their act.
Though bassist Johnny Spence's vocals sometimes flirt with blackface
this is largely ace stuff, perfect to accompany that sixth pint!
Disc 1:
01. Please Don't Touch (2:24)
02. I Can Tell (3:00)
03. Peter Gunn (2:05)
04. Sweet Love On My Mind (3:17)
05. Lonesome Train (3:04)
06. Gibson, Martin, Fender (3:35)
07. Don't München It (3:27)
08. Honey Hush (2:27)
09. Tear It Up (3:22)
10. I'm In Love Again (3:09)
11. You Don't Own Me (3:14)
12. Four To The Bar (3:02)
13. Shakin' All Over (2:33)
14. Milk Cow Blues (3:12)
15. All In It Together (4:15)
16. Jonny B. Goode (4:08)
17. Talkin' 'Bout You (3:22)
18. Witch Queen Of New Orleans (3:27)
19. All By Myself (1:45)
20. Peter Gunn (2:57)
21. Just Another Party (2:55)
22. Something Very Strange (3:31)
23. Cap In Hand (3:02)
24. Lights Out (1:47)
25. I'm Into Something Good (2:57)
26. All By Myself (1:49)
Disc 2:
01. Drinking Wine Spo-Dee-O-Dee (2:56)
02. Don't München It (3:35)
03. Do The Dog (2:37)
04. That's The Way You Are (2:41)
05. You Don't Own Me (2:51)
06. All In It Together (3:16)
07. Dr. Feelgood (1:57)
08. Johnny B. Goode's Good (2:27)
09. Shakin' All Over (2:59)
10. Saturday Night Shoot-Out (3:52)
11. Long Journey Home (3:42)
12. Voodoo (2:33)
13. Four To The Bar (2:51)
14. Diggin' My Potatoes (3:35)
15. Shake Hands With The Devil (3:34)
16. You Can't Sit Down (3:04)
17. Hey Mary (3:29)
18. Golden Oldies (3:30)
19. Alarmer (2:52)
20. Lady (Put The Light On Me) (3:46)
21. Happy Birthday Rock & Roll (4:48)
22. Going Back Home (3:14)
23. Lemonade (2:47)
24. 1.30, 2.30. 3.35 (2:34)
25. Hard Ride (3:24)
1. I Got a Fish 2. Skankin' to the Beat 3. Ugly 4. Another Generation 5. Knock It 6. ?(Modern Industry) 7. A Selection 8. Deep Inside 9. When Problems Arise 10. What Have I Done 11. They All Have Abandoned Their Hopes 12. Game of Destruction 13. V.T.T.L.O.T.F.D.G.F 14. "Simon Says" The Kingpin - Alcoholic 15. Party At Ground Zero 16. Lyin' Ass Bitch 17. Bonin' in the Boneyard 18. Fishbone is Red Hot
Even if you have never seen a porn movie in your lifetime, almost
everyone in the world knows what the 'Wakka Chikka Wakka Chikka'
represents... Each person, upon hearing it, mentally interprets the
'Wakka Chikka Wakka Chikka' in their own way, fueling a range of
emotions from lust to disgust. This CD represents individual artists'
interpretations of the 'Wakka Chikka Wakka Chikka'; each providing
their own unique cultural and geographic spin on the vibe that is "Wakka
Chikka Wakka Chikka'. From celebrations of the beauty of intimacy to a
cautionary tale of excess, this collection of sound sculptures of the
'Wakka Chikka Wakka Chikka' mystique from around the world will guide
you into the heart of all that is 'Wakka Chikka Wakka Chikka'.
More info available at ~Comfort Stand
ummm...thanks I guess, to WM Recordings, Comfort Stand and Archive.org
Listen to a couple 64 kbps samples....
The Love God - Martini Bomb (Vol.1) Pink Fuzz! - The Protagonist (Vol. 2)
1. Mississippi Heavy Water Blues 2. Sittin' Here Pickin' the Blues 3. Stormy Weather 4. Windy and Warm 5. St. Louis Blues 6. Jailhouse Blues 7. Freight Train Blues 8. Hobo Bill's Last Ride 9. Carroll County Blues 10. Blue Ridge Mountain Blues 11. I'm A Stranger Here 12. Honey Bear Blues
Track List: 1. Mama Talk to Your Daughter 2. Man Watch Your Woman 3. Eisenhower Blues 4. If You Love Me 5. Sitting Down Thinkin' 6. Mama, Your Daughter is Going to Miss Me 7. What Have I Done 8. We Can't Go On This Way 9. Give Me One More Shot 10. Everybody Wants to Know 11. J.B's Rock [Instrumental] 12. Low Down Dirty Shame 13. Don't Touch My Head 14. When I'm Drinking 15. I've Been Down for So Long 16. Daddy Talk to Your Son 17. I Don't Know 18. Good Looking Woman 19. Voodoo Boogie
Released in 1992 and displayed a departing from the previous albums. The
music is far more metal oriented on “Angst” than ever before and the
guitars are given a lot of room to express themselves whereas the
electronic part stand back. It is hard to know which guitarist is to be
missed, Günter Schulz or Mark Durante but the guitars never were as
enjoyable again. A song like “A Hole in the Wall” perfectly exemplifies
the astonishing efficiency of the guitar work. At the first listen, it
sounds horribly repetitive and pretty forgettable but the song actually
hides so many variations, layers, unexpected ambient riffs and solos
that it ends up being one of the most addictive songs KMFDM has to
offer. It is even more impressive considering the simplicity of the
riffs. From this point of view, “Sucks” is equally an impressive song.
Thrown at the face of the listener like a self-complacent joke, it
reveals itself slowly as a very solid track. Noticeably, the
over-repeated and over-simplistic main riff manages not to become
repetitive because the song has absolutely no structure and goes
nowhere. Unique parts come and go and revolve around the main riff like
satellites. That’s where the appeal of the song lays. There are no
choruses or verses and they were never missed. If the lyrics
seem pretty inane, in the end they perfectly fit the song which can be
taken as an anti-single anthem and a provocative affirmation of freedom
and talent. The last line: “We won’t sell to a major for a couple of
bucks, no doubt about it KMFDM sucks.” Could be reformulated: “We
consider the music that is popular as mediocre. So our music, which we
find great, will certainly not be considered good by most people. Fuck
them.”
~Sputnik Music
Set ist: 01. Gassed And Stocked 02. Magic And Loss 03. Dirty Boulevard 04. Beginning Of A Great Adventure & band introduction 05. Strawman 06. Sweet Jane 07. Rock & Roll 08. Satelite OF Love
Following several years in Throwing Muses, as well as a brief detour in
the Breeders in 1990, Tanya Donelly formed her own band, Belly, in 1992.
With Belly, Donelly expanded her dreamy pop hooks into more concise,
catchy songs, as well as harder-edged rock. The band's 1993 debut, Star,
became one of the first beneficiaries of the commercialization of
alternative rock; it rode to gold status within its first year of
release, as "Feed the Tree" made headway on mainstream pop radio.
Despite their strong start, Belly never became genuine stars, and once
their 1995 follow-up, King, bombed, Donelly disbanded the group in 1996.
Set List: 01 – Dusted 02 – Angel 03 – Untitled And Unsung 04 – King 05 – Now They’ll Sleep 06 – Full Moon, Empty Heart 07 – Super-Connected 08 – Feed The Tree
The Jesus And Mary Chain - Live Roskilde Festival June 28, 1998 Roskilde, Denmark Soundboard @320
Set List 1. Degenerate 2. Snakedriver 3. Cracking Up 4. Fizzy 5. Happy When It Rains 6. Teenage Lust 7. Stardust Remedy 8. Head On 9. I Love Rock'n'Roll 10. Dreamlover 11. Supertramp 12. I Hate Rock'n'Roll 13. Virtually Unreal 14. Reverence
As a central destination for musicians, actors, filmmakers and artists, Los Angeles has more than its share of unsung, forgotten or behind-the-scenes figures who have made a significant mark on the city in the course of their careers. In this category, one of my favorites is Tito Larriva, who readers might recognize if they review their pop-culture consumption over the last couple of decades. For many, Larriva is the henchman or bandleader in several Robert Rodriguez films. Punk rockers may remember his band the Plugz, who contributed a handful songs to the Repo Man soundtrack, including the unforgettable “Hombre Secreto,” a Spanish-language version of the 60s nugget “Secret Agent Man.” Scholars of Latino culture associate the Plugz for their unconventional version of “La Bamba” and their influence on Chicano rockers of Southern California. 80s music fans may remember Larriva from his coulda-been-a-contender band Cruzados, or from his role in David Byrne’s movie, “True Stories.”
More of the story HERE:
Track List: 1. Better Luck 2. Red Eye #9 3. Achin' 4. American 5. In the Wait 6. El Clavo y la Cruz 7. Blue Sofa 8. Touch for Cash 9. Gas Line 10. Cesar's Song 11. Shifting Heart 12. No Love
The Mad Caddies are a difficult band to pin down. We’re not sure what’s
more impressive, the fact that Mad Caddies have sold over 400,000 albums
or they’ve managed to combine a wide range of influences – - dixieland,
reggae, punk, ska – - into a collection of songs which are incredibly
diverse yet still make for a cohesive listen from start to finish. “We
love the fact that we’re able to expand our sound with every album,”
Lazor explains, citing the fact that the band goes over just as well at
family-friendly festivals as they do late-night rock shows alongside
their punk peers. “I don’t know many bands who are able to have such a
wide range of songs and styles at their disposal.”
1 Intro
2 Macho Nachos 3 10 West 4 Leavin 5 Weird Beard 6 No Hope 7 Contraband 8 Monkeys 9 Days Away/The Bell Tower/Popcorn/Days Away 10 The Gentleman 11 Villains 12 Last Breath 13 Mary Melody 14 Drinking For 11 15 Preppie Girl 16 Mum's The Word 17 Road Rash 18 Silence 19 All American Badass
If you need a good laugh and insight into touring with The Melvins you NEED to read this:
51 States in 51 Days Melvins Tour Diary from 2012 (start at the bottom of page ) "We are probably the only band in the world to get picked up in a stripper booze wagon with no strippers and no booze. That's okay though, I don't drink and I hate strippers. Why would anyone be interested in that look-but-don't-touch horseshit? Strippers are like training wheels for idiots who end up blowing cash screwing prostitutes….Cool."
John Hawkins, Jerry Page, and Richard Smith formed the group in 1987. Shortly after its formation, the trio (as "Mud Honey") organized and released a compilation cassette, The Polyp Explodes. Along with Crust, the cassette featured the Austin bands Miracle Room, Ed Hall, ST37, Seemen, and Thanatopsis Throne. The band's early instrumentation included tape loops, feedback devices, spring reverberators, and drum machines, but later incorporated traditional rock instruments such as drum kit, electric guitar, bass and keyboard. The band embarked on a concert tour of the West Coast in December 1989. Crust achieved some notoriety for their stage antics, which frequently included live earthworms, fresh beef tongues, nudity, and fire. On Good Friday, 1990, Trance Syndicate released Crust's first EP, Sacred Heart of Crust; it was the first release from the record label. The trio toured the East Coast of the United States and Canada; songs such as "Head Lice" emerged from the group's travel experiences. Trance Syndicate released the band's first full-length album, Crust, in 1991, followed by a second album, Crusty Love in 1994. The band continued to tour, but scaled back its live performances following a series of mishaps (including one in which John Hawkins was stabbed), finally disbanding after an appearance at the 1997 SXSW festival. The band performed a reunion show to a sold-out crowd at Room 710 on May 22, 2004 in Austin.
~Wiki
The History Of Crust "The
cover was a photo close up of an eye infected with V.D. Spin wouldn't run
our ad because it looked too 'ickey.' "
Crust 1 -Head Lice 2 -Nothing 3 -They'll Love You For It 4 -Diet Tray 5 -Rebong 6 -Charlie 7 -Mosquito Beach 8 -Dog's Prayer Day 9 -Hard Stool 10 -Good Friday 11 -Feelings 12 -Sack Lunch
Sacred Heart 1- Sacred Heart 2- Tiny Shoes 3- Mudhoney 4- Chemical Patty 5- Black Tuesday 6- Glad Handling
