Gillian Welch & David Rawlings - Live at Freight & Salvage
June 20, 1996
Berkeley, CA.
Soundboard @ flac
Set List: 01 Intro 02 Tear My Stillhouse Down 03 Snowin' On Raton 04 One More Dollar 05 Pass You By 06 Barroom Girls 07 Paper Wings 08 Annabelle 09 Riverboat Song 10 Diamond Joe 11 I'll Go On Downtown 12 Caleb Meyer 13 Wichita 14 Billy 15 By The Mark 16 Dark As A Dungeon 17 I've Been Down Before 18 Acony Belle 19 Only One And Only 20 Red Clay Halo 21 Orphan Girl 22 Dusty Boxcar Wall
Disc 01 - Set I 01 - banter/intro
02 - Rocky Road Blues
03 - Where I Come From
04 - Big Six
05 - Louisiana Lady
06 - Prisoner of Freedom
07 - Panama Red
08 - Blues Barrel
Disc 02 - (Set I con't) 01 - One Too Many Stories
02 - Henry
03 - Dirty Business *
04 - When There’s Two There’s Trouble +
05 - Higher +
Disc 03 - Set II 01 - crowd/tuning
02 - 17 Pine Avenue
03 - Down For The Ride #
04 - I Don't Know You
05 - Whatcha Gonna Do
06 - Ghost Train Blues
07 - Bankrobber
08 - No Time
09 - Six of One
10 - crowd/banter
encore 11 - Ripple
0:00:30 - Reverend Horton Heat's Big Blue Car
0:04:07 - Galaxy 500
0:07:25 - Like a Rocket
0:10:05 - The Party in Your Head
0:13:51 - Big Sky
0:16:50 - Baddest of the Bad
0:19:17 - 5-0 Ford
0:21:57 - I Can't Surf
0:24:32 - Wiggle Stick
0:28:37 - 400 Bucks
0:33:29 - Loco Gringos Like a Party
0:39:38 - In Your Wildest Dreams
0:43:12 - Marijuana
0:47:41 - It's Martini Time
0:52:35 - The Jimbo Song
0:54:59 - The Devil's Chasing Me
1:01:50 - Psychobilly Freakout
1:09:01 - Big Red Rocket of Love
Michael Burks & Lucky Peterson - Safeway Waterfront Blues Festival 2010
In remembrance of Michael "Iron Man" Burks, here is his entire
performance on the FedEx workshop stage during the Safeway Waterfront
Blues Festival in support of the Oregon Food Bank. This set was filmed
by the Ethos Music Center's "vid-kids" on July 3rd, 2010.
Ray Wylie Hubbard - Live Tennessee State Museum in Nashville, TN.
Ray Wylie Hubbard writes the kind of songs that make you want to ride
along no matter where he's going, because you know it's gonna get
strange somewhere along the way. The references to Muddy Waters being as
deep as William Blake ("I really do believe it,'' Ray says) and
lipstick pickups, resonator slides, the dreams of drunken poets,
deceased call girls, opium, wasp's nests, clouds growing a tail, his
ability to segue seamlessly from primal exclamations of carnal lust into
songs about salvation without pausing for irony; and a craftsmanship
that manages to rhyme mescaline and gasoline and Volkswagen with dragon
while painting vivid portraits of characters both real and unreal, all
evoke a sense of place that is larger than life but in no way made up.
Anyone who's followed Ray Wylie Hubbard over the long and winding path
he has traveled already knows he possesses the kind of exceptional gift
for observation that any songwriter yearns for. His sense of wonder is
tempered by an accumulated wisdom and knowledge that comes with
experience that has elevated him into the Wylie Lama of Texas.
If you have ever watched the TV show "The Bridge" you may have wonder who was singing the haunting intro song. The artist is Ryan Bingham.
"I grew up listening pretty much only to the older stuff," says the 25-year-old. "My family had a ranch between Hobbs and Carlsbad, and on the side my uncle had a bar called The Halfway Bar, and I'd listen to all these old records from the 60s and 70s on the jukebox there. I lived with him for a while when I was little, and all he did was listen to those old records -- Bob Dylan, Bob Wills, Marshall Tucker. I never related to anything that was on the radio when I was a kid back in the '90s." ~Ryan Bingham
Into Orbit is a dynamic duo of guitar and drums whose immersive, genre-defying sound contains aspects of experimental rock, polished prog, ambience & drone.
Born in Oklahoma, raised in Denver, Kenny Vaughan's earliest memories of music are his father's jazz record collection:
"My dad listened to Jimmy Smith, Mose Allison, Count Basie, Woody
Herman, Miles Davis, Tony Mottola, and used to take me to hear Johnny
Smith play at Shaner's in Denver. My neighbor, Charles Sawtelle,
listened to Flatt and Scruggs and played Salty Dog on his Martin guitar
for me. I knew then and there that I wanted to do that! I got my first
electric guitar when I was twelve. The first thing I played was ‘Folsom
Prison Blues’. My first band played Stones, surf, '60's garage punk,
and Memphis soul. I saw the Stones, Jimi Hendrix, The Cream, Howlin'
Wolf, Captain Beefheart, Buck Owens and The Buckaroos, The Dead, The
Doors, Peter Green's Fleetwood Mac, Johnny Winter, John Mayall, and Led
Zep's first stateside gig, all before I was sixteen!" More Bio
Nico - An Underground Experience Live 1983 Soundboard@320
An Underground Experience" is a documentation of an 80's Nico set in
front of a Punk audience with a Live Band, where she performed (mainly
Songs by Velvet Underground , Lou Reed and one from David Bowie).
Set List: 1-60/40 2-Vegas 3-Saeta 4-All Tomorrows Parties 5-I'm Waiting For My Man 6-Femme Fatale 7-Heroes 8-Interview
Set List: 1.Skin It Back>
2.Fat Man In The Bathtub
3.Red Streamliner
4.Oh Atlanta
5.Day At The Dog Races
6.All That You Dream
7.A Apolitical Blues
8.One Love Stand > Rock And Roll Doctor
9.Old Folks' Boogie
10.Dixie Chicken > Key Solo >
11.Dixie Chicken > Tripe Face Boogie
Pangaea is a double album recorded by jazz trumpeter Miles Davis. It was released in 1976 in Japan. Both Pangaea and its predecessor Agharta (1975) were recorded on February 1, in Osaka, Japan at the Festival Hall. The Agharta concert took place during an afternoon matinee, whereas Pangaea was recorded in the evening.
The album release contains two tracks, "Zimbabwe" and "Gondwana," which have been identified as containing the musical segments called "Moja," "Willie Nelson on Tune in 5," "Nne," "Zimbabwe," "Ife," and Wili (=for Dave)" by the Italian Miles Davis scholar Enrico Merlin.
Later that year, Davis, depressed, exhausted and suffering ever mounting health problems, retreated from the music scene. This makes Agharta and Pangaea his final albums of new material until the 1981 comeback LP The Man with the Horn. Unlike Agharta, Pangaea was originally released exclusively in Japan. Pangaea would see an American release in 1990, digitally remastered as part of the Columbia Jazz Contemporary Masters CD series of the time.
~Wiki
Disk 1 - Zimbabwe
Disk 2 - Gondwana
Pangaea is an Earth splitting live jazz release, and Miles' best live release ever!
Review by Jake Cole at Armchair
01. Intro & After Hours
02. Soon Forgotten
03. Howlin' Wolf Blues
04. Hoochie Coochie Man
05 Blow Wind Blow
06 Can't Get No Grindin'
07 Long Distance Call
08 Got My Mojo Workin'
09 Got My Mojo Workin' (First Encore)
10 Theme
11 Got My Mojo Workin' (Second Encore)
